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02833nam a2200337 a 4500 |
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CARM |
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19970908000000.0 |
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960624s1997 enk b 001 0 eng |
| 010 |
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|a 96021152
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| 019 |
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|a 12555806
|5 LACONCORD2021
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| 020 |
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|a 0521482836
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| 035 |
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|a (OCoLC)35049561
|5 LACONCORD2021
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| 040 |
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|a TOC
|b eng
|c TOC
|d TOC
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| 043 |
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|a e-ur---
|a e-ur-ru
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|a PG3026.O24
|b R63 1997
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| 082 |
0 |
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|a 891.709/0042
|2 20
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| 100 |
1 |
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|a Roberts, Graham.
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| 245 |
1 |
4 |
|a The last Soviet avant-garde :
|b OBERIU--fact, fiction, metafiction /
|c Graham Roberts.
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| 260 |
|
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|a Cambridge, U.K. ;
|a New York, NY, USA :
|b Cambridge University Press,
|c 1997.
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| 300 |
|
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|a xiii, 274 p. ;
|c 23 cm.
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| 440 |
|
0 |
|a Cambridge studies in Russian literature
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| 504 |
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|a Includes bibliographical references (p. 237-267) and index.
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| 505 |
0 |
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|a Introduction: OBERIU ~ the last Soviet avant-garde -- I. Authors and authority. The art of public speaking: Russian modernism and the avant-garde. Literature as system: Russian formalism and the Bakhtin circle. OBERIU - Nikolay Zabolotsky, Nikolay Oleinikov, and Igor' Bakhterev. Carnivalizing the author? Daniil Kharms. Writing for a miracle: Kharms's The Old Woman as menippean satire. What a time to tell a story: Aleksandr Vvedensky. Dialogues of the dead: Vvedensky's Minin and Pozharsky. The artist as hermit: Konstantin Vaginov. The author loses his voice: the novels of Konstantin Vaginov -- 2. Rereading reading. Addressing the reader: Russian modernism and the avant-garde. Text as dialogue: from Russian formalism to the Bakhtin circle. OBERIU and the reader: Zabolotsky, Oleinikov, Bakhterev. Stop reading sense: the prose of Daniil Kharms. Picture this: Christmas at the Ivanovs' by Aleksandr Vvedensky.
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| 505 |
8 |
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|a The reader in the text: The Labours and Days of Svistonov by Konstantin Vaginov -- 3. Language and representation. From realism to 'real' art: Russian modernism and the avant-garde. Neighbouring worlds, imaginary realities: the chinari. OBERIU: The Association for Real Art. From the authority of language to the languages of authority: Daniil Kharms. Language games and power play: Elizaveta Bam. Time, death, God, and Vvedensky. The poverty of language: Vvedensky's A Certain Quantity of Conversations. Worlds beyond words: Konstantin Vaginov. Art as play: Konstantin Vaginov's Bambocciade -- Conclusion: OBERIU - between modernism and postmodernism?
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| 610 |
2 |
0 |
|a Oberiu.
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| 650 |
|
0 |
|a Literature, Experimental
|z Soviet Union.
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| 650 |
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0 |
|a Russian literature
|y 20th century
|x History and criticism.
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| 852 |
8 |
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