Keyboard music before 1700 /

Keyboard Music Before 1700 is an introduction and guide to the most significant keyboard literature of the Renaissance and early Baroque periods. Covering music written for organ as well as stringed keyboard instruments, Keyboard Music Before 1700 surveys the central keyboard repertory before Bach....

Descrizione completa

Salvato in:
Dettagli Bibliografici
Altri autori: Silbiger, Alexander, 1935-
Natura: Libro
Lingua:English
Pubblicazione: New York : London : Schirmer Books ; Prentice Hall International, c1995.
Serie:Studies in musical genres and repertories.
Soggetti:
LEADER 02862nam a2200313 a 4500
001 c000175364
003 CARM
005 20000913211312.0
008 950307s1995 nyuab b 001 0 eng
010 |a 95010439 /MN 
019 1 |a 11562229  |5 LACONCORD2021 
020 |a 0028723910 
035 |a (OCoLC)32241464  |5 LACONCORD2021 
040 |a TOC  |b eng  |c TOC  |d TOC 
050 0 0 |a ML549  |b .K49 1995 
082 0 0 |a 786/.09  |2 20 
245 0 0 |a Keyboard music before 1700 /  |c edited by Alexander Silbiger. 
260 |a New York :  |b Schirmer Books ;  |a London :  |b Prentice Hall International,  |c c1995. 
300 |a xiii, 373 p. :  |b ill., map ;  |c 25 cm. 
440 0 |a Studies in musical genres and repertories. 
504 |a Includes bibliographical references and index. 
505 0 |a 1. Introduction: The First Centuries of European Keyboard Music / Alexander Silbiger -- 2. England / Alan Brown -- 3. France / Bruce Gustafson -- 4. Germany and the Netherlands / John Butt -- 5. Italy / Robert Judd -- 6. Spain and Portugal / Robert Parkins. 
520 |a Keyboard Music Before 1700 is an introduction and guide to the most significant keyboard literature of the Renaissance and early Baroque periods. Covering music written for organ as well as stringed keyboard instruments, Keyboard Music Before 1700 surveys the central keyboard repertory before Bach. The book explores through representative works the styles, textures, genres, instruments, and performance practices that characterize the keyboard music of this period. 
520 8 |a Because national musical traditions were quite distinct in this period, the volume is divided into chapters devoted to the main regions, with major composers treated within the context of national styles. Each chapter has been written by a specialist in the music of a particular region: Alan Brown writes on England, where Byrd and the virginalists began a tradition of finely crafted keyboard works; Bruce Gustafson on France, where the Couperins and other composers evolved a "classic" style all their own; John Butt on Germany, where the blind fifteenth-century organist Conrad Paumann became the first celebrity of the keyboard; Robert Judd on Italy, where grand basilicas inspired majestic compositions for the organ; and Robert Parkins on Spain and Portugal, where keyboard music retained a Renaissance flavor well into the seventeenth century. Volume editor Alexander Silbiger has supplied a general introduction to the rich and diverse keyboard repertory of the years before 1700. 
650 0 |a Keyboard instrument music  |x History and criticism. 
700 1 |a Silbiger, Alexander,  |d 1935- 
852 8 |b CARM  |h A2:AN16F0  |i C06197  |p 0239242  |f BK 
999 f f |i 98390a7e-c709-5963-a71c-629c2bfd17dd  |s f4a213a2-1d07-539a-b735-2ebb33b8cf72 
952 f f |p Can circulate  |a CAVAL  |b CAVAL  |c CAVAL  |d CARM 1 Store  |e C06197  |f A2:AN16F0  |h Other scheme  |i book  |m 0239242