Traité pratique et théorique de la danse,

As was common practice during the nineteenth and early twentieth centuries, much of this text was borrowed from other writers. The author begins with a general history of dance and proceeds with an explanation of terms found in dance such as les grands battements and ronds de jambes. The manual cont...

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محفوظ في:
التفاصيل البيبلوغرافية
المؤلف الرئيسي: Bourgeois, Edmond
التنسيق: كتاب الكتروني
اللغة:French
منشور في: Paris, Garnier frères [1909?]
الموضوعات:
الوصول للمادة أونلاين:http://hdl.loc.gov/loc.music/musdi.235
http://hdl.loc.gov/loc.music/musdi.235
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050 0 0 |a GV1593  |b .B65 
100 1 |a Bourgeois, Edmond. 
245 1 0 |a Traité pratique et théorique de la danse,  |c par Edmond Bourgeois. 
260 |a Paris,  |b Garnier frères  |c [1909?] 
300 |a 2 p. l., 466 p.  |b illus.  |c 20 cm. 
520 |a As was common practice during the nineteenth and early twentieth centuries, much of this text was borrowed from other writers. The author begins with a general history of dance and proceeds with an explanation of terms found in dance such as les grands battements and ronds de jambes. The manual contains directions for many Renaissance and Baroque dances including La Pavane, and, although the author quotes from Thoinot Arbeau's Orchesographie of 1588, the directions for performance are strictly a nineteenth-century interpretation. Bourgeois's manual also covers nineteenth-century social dances and he provides the history and directions for dances such as the waltz, polka, mazurka, and quadrille. 
530 |a Available also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 
650 0 |a Dance. 
650 4 |a Dance Instruction and Technical Manuals. 
650 4 |a Theatrical Dance. 
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