Dance as text : ideologies of the baroque body /
Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet over a hundred-year period, beginning in 1573, that spans the late Renaissance and the early baroque. Utilizing aesthetic and ideological criteria, Mark Franko analyzes court ballet libre...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | كتاب |
| اللغة: | English |
| منشور في: |
Cambridge [England] ; New York, NY, USA :
Cambridge University Press,
1993.
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| سلاسل: | RES monographs in anthropology and aesthetics.
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Table of contents Publisher description |
جدول المحتويات:
- Prologue: Constructing the baroque body
- 1. Writing dancing, 1573
- 2. Ut vox corpus, 1581
- 3. Interlude: Montaigne's dance, 1580s
- 4. Political erotics of burlesque ballet, 1624-1627
- 5. Moliere and textual closure: Comedy-ballet, 1661-1670
- Epilogue: Repeatability, reconstruction, and beyond
- Appendix 1: Notes on Characters of Dance
- Appendix 2: Original text and translation of Les Fees (1625)
- Appendix 3: Original text and translation of Lettres Patentes (1662)
- Appendix 4: The Amerindian in French humanist and burlesque court ballets.