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02682nam a2200313 i 4500 |
| 001 |
c000317044 |
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CARM |
| 005 |
20211129232944.0 |
| 008 |
770112s1977 nyug b 01100 eng |
| 010 |
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|a 76053128 /MN/r843
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| 019 |
1 |
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|a 777193
|5 LACONCORD2021
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| 035 |
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|a (OCoLC)2968713
|5 LACONCORD2021
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| 040 |
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|a VCAV
|c VCAV
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| 050 |
0 |
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|a ML55
|b .B384 1977
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| 082 |
0 |
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|a 780
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| 245 |
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|a A Musical offering :
|b essays in honor of Martin Bernstein /
|c edited by Edward H. Clinkscale and Claire Brook.
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| 260 |
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|a New York :
|b Pendragon Press,
|c c1977.
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| 300 |
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|a x, 301 p. :
|b music ;
|c 24 cm.
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| 490 |
0 |
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|a Festschriften ;
|v no. 1]
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a Kauffmann, S. Martin Bernstein, reminiscences and thanks.--Atlas, A.W. The Accademia degli Unisoni, a music academy in Renaissance Perugia.--Bernstein, L.F. Mathieu and Valentin Sohier, a new pair of Renaissance Doppelmeister.--Brody, E. Vines in Paris, new light on twentieth-century performance practice.--Brofsky, H. J.C. Bach, G.B. Sammartini, and Padre Martini: a concorso in Milan in 1762.--Brook, B.S. Music, musicology, and related disciplines: on perspective and interconnectedness.--Buelow, G.J. A lesson in operatic performance practice by Madame Faustina Bordoni.--Cohen, A. Early French dictionaries as musical sources.--Ducloux, W. Opera today, thoughts and observations.--Friedheim, P. The cosmic introduction in nineteenth-century music.--Hitchcock, H.W. Charles Ives's Book of 114 songs.--Karp, T. Interrelationships between poetic and music form in trouvère song.--Kaufmann, H.W. Music for a Favola pastorale (1554)--LaRue, J. & H. Trade routes and time lag in the export of late eighteenth-century opera.--Perle, G. The string quartets of Béla Bartók.--Picker, M. The motet anthologies of Andrea Antico.--Reese, G. The opening chant for a Palestrina Magnificat.--Schwartz, J.L. Opening themes in opera overtures of Johann Adolf Hasse: some aspects of thematic structural evolution in the eighteenth century.--Warner, T.E. Tromlitz's flute treatise, a neglected source of eighteenth-century performance practice.--Wolf, E.K. Authenticity and stylistic evidence in the early symphony, a conflict in attribution between Richter and Stamitz.
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| 600 |
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|a Bernstein, Martin,
|d 1904-
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| 650 |
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|a Music.
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| 700 |
1 |
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|a Bernstein, Martin,
|d 1904-
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| 700 |
1 |
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|a Clinkscale, Edward H.
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| 700 |
1 |
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|a Brook, Claire,
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| 852 |
8 |
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